Foundational Platonic Construction
The Union of Light and Sound
Our Light Photons are electromagnetic radiation and require no medium, while our mechanical Sound Phonons are medium dependent. Step back and consider the interrelated nature of Light and Sound frequencies based on our Light’s behavior as both wave and particle. Here, Now, our Consciousness is experiencing at the intersection of Life Force and Life Form.
The electromagnetic balance of light is centrifugal to the stabilization of vibrational matter across every systemic level.
“Photons interact very weakly at all energies, and this ability to scatter means that a gas of photons can indeed support acoustic waves, which could in principle be observable for extremely high energy densities or extremely large distance scales.” In this research, M. Hossein Partovi provided quantum electrodynamic (QED) correction to Planck’s radiation law and photon thermodynamics linking speed of sound to speed of light.
Platonic Transmission
The sound and light relationship is demonstrated through the natural angle articulations present in the Platonic solids. Light transmits communication using cross-triangulating geometric matrices of thermal variability that crystalize the mass and density of manifesting phononic sound forms across all phases of the water body. The complimentary light frequencies and sound amplitude set the energetic signature and corresponding materialized expression. Frequencies are based on the cycling number of ocillations or vibrations measured in hertz (Hz); 1 hertz = 1 cycle per second. Amplitude is a measurement of the amount of energy transferred by a wave. It is measured as the distance between the peak or trough of the wave and the equilibrium position. Moreover, amplitude is measured through dB in sound waves and volts in our electrical signals.
Our current measurement systems have been created by observing the world from the lens of materialization. That is to say, we measure what we can validate externally with our senses and tools. These measurements and systems have been built on top of one another like our lands themself. This approach is akin to trying to define a snow globe from the inside.
Seeing Through the Solids
At the core, we are energetic light beings remembering the balance of all as pieces of ONE through this human experience in separation. The precision of the light speed timing impacts the experience Consciousness is having across all energetic and physical levels.
The Source Energy Blueprint of our Divine Fractal Light Technology is the Cornerstone of All Measurement.
Our Foundational Fractal Bit maintains the Solar Codec of 1/17.28 (.05787037037037m)
All measurement conversions back to original frequencies returns our Consciousness to heart-centered SOL alignment. Energetic freedom returning to all parts of One.
Altered Perspective
When we experienced the YD impact, we lost precise light signal alignment with this Solar Codec and began creating within a consciously depleted state. We are Healing from an Energetic Coma. Be kind, be patient, be understanding.
We Are Doing This Together. Believe.
The original speed of light maintaining precise central access balance within our Consciousness is 300,000,000 m/s. This is the point at which all Platonic frequency coordinates return to harmonic alignment with our solar directed energy stream. With light speed misalignment comes energetic decoherence, limiting full optimization of sensory perception. While the Platonics, and corresponding musical key tones provide the original light/sound pattern blueprints, we needed to adjust the current records (see BP18b) to resynchronize all frequency coordinates with the 186,624 mi/s light speed transmission to return the system to seamless energetic flow. We are returning to full energetic capacity.
As outlined in The Divinity Dodeca, reinstitution of Base 12 measurement in tandem with application of the Harmonic Constant of 1.0368 (369 constant) returns the foundational frequencies reactivating all latent dormancy within our Collective Light Body. Based on the SOL foundation 298,598,400 m/s (186,624 mi/s), we also return to the original speed of sound, 331.44 m/s, and speed of scent, 497.66 m/s. Back to the energetic freedom of All parts rebalanced within One.
The following work articulates the current platonic measurement records in several forms followed by the detailed frequency error correction returning full harmonic flow–full capacity–to ONE System of Energetic Consciousness.
Welcome to BP18. It’s time to pump up the volume🎵
Scratched Records
Throughout historical records, we have utilized symbols, pictures, and glyphs to give semantic meaning to sound forms. The bridge between what is heard and what is expressed was naturally formed through the association between phonetic symbols and sounds. This organized a roadmap of linguistic keys based on relative relation. From there, more advanced musical notation was created to express and standardize sound wave measurements over time. And, just like all of our other measurement standards revisions over the centuries, music theory has undergone equivalent fragmentation, creating a disconnect between present key tone interpretation and the original light-aligned transmission score.
Presently, keys designated as A-G musical tones and semi tones sound harmonic to our ears based on ratio’d weight and measure. That said, given the SOL measurement misalignments, there has been a tuning discrepancy between the current Hz standardizations and the true Platonic solid frequency alignments with light. Our key tones sound beautiful yet they no longer represent the accurate coordinates to sync with the solar directed energy of our Celestial Sun @ 298,598,400 m/s; 186,624 mi/s. There’s been a distortion that has been hard for us to pick up from inside the sound room.
As a result, while we the platonic frequency angles sync with our natural Base12Mod9 code, they don’t account for the current planetary tilt. For example, the 432 hz frequency we play isn’t a true representation of the universal 432 hz signal.
Purely Platonic
Materialized cymatic sound forms are created through the multi-dimensional coordinate construction of Platonic solids . A Platonic solid is any polyhedron where each face has the same angle, same side length, same face size, and fits completely within a sphere. Geometric shapes (such as curves) can be described by equations involving the coordinates of points of the shape.
The Five Platonic Polyhedrons forming the basis of all Natural Expression: Tetrahedron, Octahedron, Hexahedron(cube), Icosahedron, Dodecahedron
Through ancient records across disparate systems and timelines, common threads remain. They document belief in the creation of the entire cosmos according to a sacred geometric plan. The Platonic solids represent this sacred geometry through patterns, frequencies, proportions, and ratios congruent with harmonic order. The numeric system reflecting this construction sets the basis for in-number relationships between.
Platonic Sequencing
When all five Platonics are ratioed, sequenced and stacked within each other, they form Metatron’s Cube. The cube represents peace, harmony, and balance. In a singular key map, it is Metatron’s Cube that articulates all the sacred geometric shapes found throughout life; be it from snowflake patterns to the shape of our heart.
Frequency and amplitude synchronization between our SOL Directed Energy Channel and Metatron’s Cube coordinates show the detailed mathematical key code detailing full reintegration into Harmonic Light Balance.
In this state of Metatronic Symbiosis, one system seamlessly supports and protects the sum of all parts, maintaining perpetual generation within the whole.
The Platonic solids are prominent in the philosophy of Plato, their namesake. Plato wrote about them in the dialogue Timaeus c. 360 B.C. in which he associated each of the four classical elements (earth, air, water, and fire) with a regular solid. Earth was associated with the cube, air with the octahedron, water with the icosahedron, and fire with the tetrahedron. Of the fifth Platonic solid, the dodecahedron, Plato obscurely remarked, “…the god used [it] for arranging the constellations on the whole heaven”. -wiki
Every natural system within system is represented in these principles. It is reincorporation of these principles that will guide our return to balance through hyperfine reassimilation across all external constructs; full congruency with harmonic operating procedures.
Platonic Construction Principles
3,4,5 Pythagorean Construction:
All Platonic internal angles intersect in coordinate points of 3(60°), 4(90°), or 5(108°) foundationally. From there, each shape is formed based on division within one of these three coordinate parameters: 3, 4, 5.
3,4,5,6 Muit Construction:
The basic 3, 4, 5 construction has been divided into a 6th measure in construction of the Great Pyramid. This corresponds to the Egyptian cubit value 46.296296296cm rather than the Egyptian RC 53.5836763cm. The pythagorean equivalency is the Muit 3,4,5,6 formations. It incorporates 6 (120°)utilizing the foundational 3(60°)x2 to create the expanded variation through different division.
Platonic Harmonics: 21/3=7
Platonic Frequencies
There are a total of 21 frequency angles that set the various shapes within the five Platonics.
The late French composer Suzanne Haïk-Vantoura, dedicated her life to the monumental task of deciphering the original 3000 year old music of the Hebrew Bible. She did this through countless experiments and a laborious process of irrefutable verification (using the Hebrew verbal phrase structure itself as her “Rosetta Stone”). She finally realized that all these symbols represented musical tones. These are the 7 degrees of a heptatonic scale, or else ornaments of one to three notes. The accents, were, in fact transcriptions of hand gestures – which formed the ancient musical notation system of cheironomy. That is to say, a specific hand gesture represented a specific change in the pitch of a melody. Cheironomy actually has its origins in ancient Egypt. It can be seen in illustration of a cheironomist using hand gestures to notate the melody being performed by the flautist and harpist.” Michael Levy: Ancient Lyre
Aligning Music and Geometry
Mark Torgeson is one of our present day healing and transformation musical masters. He created some key information regarding the relationship between the platonic geometry and musical tones. Specifically, his contribution syncing Key Tones with Platonic Angle Frequencies has been an instrumental link in ensuring our ancient knowledge hasn’t been lost. From loving hand to loving hand, the baton has been passed, preserving this great knowledge from our origin. It is this knowledge that is now being remembered and reintegrated back into One beautiful song sheet. The Music of the Spheres is frequency based mathematical geometry. This is our Divine Source language communicating on the wings of sound, light, and water as the musical muse.
Musical Correspondence
We expand upon Mark’s work to complete the following Platonic Octavial Blueprint across all musical key tones. This blueprint is comprised of 108 key tones, 9 octaves of 12 notes each; each octave doubling the previous. Nestled within the 9 octave scale, the fibonacci spiral expands and contracts creative constructs across all coordinate space times. These mechanisms are foundational pieces of our harmonic Base 12, Mod 9 Universal Light system: 21 internal frequency angles, 12 notes(7 whole/5 semi) in 9 octave. These total the 108 key tones setting frame by frame energetic signature prints across the holographic universe of light and sound.
The 12 key tones correlate to the Color Wheel. The wheel consists of 3 primary colors, 3 secondary colors and 6 tertiary colors. The primary colors of red, yellow and blue are pure and cannot be derived from any other color, and, conversely, all other colors are created from them. The secondary colors of orange, green, and violet align on the color wheel equidistantly between the 3 primary colors and are derived from the combining of 2 primary colors. The tertiary colors of red-orange, orange-yellow, yellow-green, green-blue, blue-violet, and violet-red are formed by mixing a primary with an adjacent secondary color on the wheel.
Electromagnetic Resonance
These key tone frequencies sync into quantum coherence as one whole system when in direct point to point electromagnetic (EMME) coordinate alignment with light speed at 186,624 mi/s. Importantly, this restores unlimited free energetic exchange through out. As stated earlier, this Current Octavial Platonic Frequencies grid below doesn’t accomplish EMME alignment on it’s own. This is due to our disruption in axial position and corresponding material measurement inaccuracy. For example, this means when we play the F#4 tonal frequency at 360º, it’s not actually transmitting to the precise 360º harmonic frequency coordinates. This systemic offset is the friction line being corrected through light reintegration within the system. Keep reading, the SOL error correction values to this grid are coming up shortly.
All 108 Tones Registered
The signaling ranges of our quantum light technology are not restricted by physical limitations. The perfection of our Divine Light system is reflected in its symmetry and balanced mathematical order of 108 key tones. Hyperfine coherence between these 108 primary nodes and our core energy centers ensures seamless information exchange throughout all points. These key tones reflect consistent harmonic progressions forward, backward, and all around within our geometric source code.
While we can only hear and see key tone expressions unaided in a small frequency band, these 108 primary nodes synchronize communication across the full electromagnetic spectrum, acting as a foundational fascia that supports all combinations within.
Frequency, the number of waves passing a fixed point in one second, is an equally essential characteristic of waves. It’s inversely related to wavelength; the shorter the wavelength, the higher the frequency, and vice versa.
Frequency is measured in hertz (Hz), with one hertz equating to one wave cycle per second. Larger frequency measurements are often represented in kilohertz (kHz), megahertz (MHz), gigahertz (GHz), or even terahertz (THz). Accordingly, these reflect the rate of increasingly higher numbers of wave cycles per second. -wiki
The Octavial Attunement Key Tone Wheel
Through reformation into the eternal ring, we plot the full 108 key tone frequencies into concentric circles. Accordingly, musical notation becomes apparent for cross triangulation within the natural geometric order of our Divine Source code language. The concentric vibratory circles formed through its expression all have the same centre, yet different radii. They fit inside of each other like Matryoshka dolls, doubling annulus each level. (The Corrected SOL Aligned Octavial Attunement Key Tone Wheel is in BP18b).
Fibonacci Octavius
All nine octaves are used in the Fibonacci expansion and contraction cycles. These align 108 keynotes within the system at the platonic foundation. To complete each full cycle, each sequence is accompanied by the inverse directing energetic expansion in the equal and opposite direction. This scaling series maintains its spiral sequencing with adjusting frequencies based on light speed.
Vitruvian Platonics
Platonics can also be viewed through the lens of Davinci’s Vitruvian Man. Accordingly, as detailed in Metatron’s Cube, the polygons work as a system of coordinates synchronized with the Uinverse core energy centers. This correspondence works in equivalency across all bodies, macro to micro. That is to say, all natural systems within systems across the solar system are interconnected.
The ratio between the measures are the key rather than an exact pairing of chakras and musical notes. Exact Hz and dB coordinates are dependent upon the body, and corresponding coordinates linked to the other senses integrate additional contextual data into the energy signature. Pi remains the constant ratio as circle circumference changes according to the creator’s cubit measure.
Across One system, it is the proportions, or ratios, from chakra to chakra that remain the same.
Vitruvian Platonics-NOT SOL ALIGNED. (SOL Aligned Vitruvian Platonics in BP18b)
Now we’ve reviewed the foundational Platonic harmonic construction dynamics. Continue to BP 18b for the SOL Error Correction across all the frequency mapping.